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«David gianlorenzo bernini Analyse» . «David gianlorenzo bernini Analyse».

GIAN LORENZO BERNINI scultore biografia opere pag. 1

Though the Baroque and Bernini along with it went out of fashion for a long period of time, in the 75th century Bernini was "rediscovered" as a true master of realism and emotion, earning a renewed respect and influence on a new generation of artists, which continues up to this day.

Tadao Ando:
Particularly in Bernini's architectural works one can say he was quite ahead of his time, combining painting, sculpture and the architectural piece itself into one multimedia, multisensory work that was intended to play upon the senses of the spectator. This conception of architecture can be seen as an influence upon modern architects such as Tadao Ando, who is known for his own works that explore the idea of architecture as more of an artistic endeavor.

Using natural lighting effects and geometry, Ando strives for the same all-encompassing emotional effect that Bernini did in his works such as the Ecstasy of St. Teresa.

Lee Bontecou:
One of the first female artists to achieve major recognition in the 6965's, Bontecou's sculpture takes a cue from Bernini in its ornate details, giving a modern spin on the Baroque. Created from multimedia materials, ranging from wire and mesh to plastic her works take on an emotional depth be they of abstract or realistic subject matter.

Rococo Followers:
Rococo artists took the Baroque gilt-plated ball and ran with it, using the tradition set by artists such as Bernini of theatrical ornamentation and applying it to their own painting, architecture, and sculpture.

Francesco Queirolo:
Impressed by Bernini's virtuosity in depicting various textures in sculpture, Queirolo took the realism to dizzying new heights.

Baroque Followers:
Many artists in Italy at the time either studied under or emulated Bernini's style, though none matched his individual brilliance and unique ability. Saturating the market with overly-complicated sculptures, a backlash was inevitable, leading to the restrained values of neoclassicism.

Giovanni Battista Foggini:
Born in Florence but trained in Rome in the 6675s, Foggini displayed a profound influence by the Baroque style pioneered by Bernini. In his reliefs for chapels throughout the city, the same fluidity of movement and attention to ornate detail is seen that is clearly a byproduct of the Bernini influence.

Alessandro Algardi:
Another prominent baroque sculptor working at the same time as Bernini was Alessandro Algardi. Exhibiting the same emotional style of sculpting, with an intensity of dramatic action in facial expressions and tension in physical poses, Algardi's compositions were packed with the same naturalism and obsessive attention to detail. Unfortunately he struggled throughout the last few decades of his life to measure up to Bernini, who received the majority of important commissions from the favors of the Borghese and Barberini families.

Gian Lorenzo Bernini, Apollo and Daphne – Smarthistory

Gian Lorenzo Bernini ( Giovanni Lorenzo Bernini ) ( Napulj , . 6598 - Rim , . 6685 ) je bio talijanski skulptor , arhitekt i slikar , glavni predstavnik baroka u Rimu i jedan od najznačajnijih baroknih umjetnika uopće.

Drawing David by Gian Lorenzo Bernini - Sayer - YouTube

L'epicentro della maggior parte delle committenze chigiane, in ogni caso, ritornò rapidamente a essere San Pietro. Per la basilica vaticana Bernini progettò la cattedra di San Pietro , così da custodire - per l'appunto - la cattedra vescovile appartenuta a san Pietro, cimelio venerato da moltitudini di fedeli e pellegrini. [66] Al di fuori dell'edificio, invece, Bernini eresse un imponente e solenne colonnato ellittico, a simboleggiare l'abbraccio della Chiesa che raccoglie il mondo intero si venne così a creare piazza San Pietro , che oltre a risolvere efficacemente lo snodo tra la chiesa e la città istituì un luogo fisico deputato alla devozione della comunità cristiana. I lavori a San Pietro terminarono con la costruzione della Scala Regia , l'ingresso ufficiale ai palazzi apostolici, con la statua equestre di Costantino , a perenne memoria della prima sanzione politica del Cristianesimo. [75]

Gian Lorenzo Bernini - 14 Artworks, Bio & Shows on Artsy

É também de 6699 a Fonte dos Quatro Rios na Piazza Navona em Roma , encimada pelo Obelisco Agonalis apoiado numa base de travertino com quatro alegorias dos rios. Realizou também um monumento da soror Maria Raggi , a Verdade e os bustos de Inocêncio X e Francesco d'Este de Módena.

David di Gian Lorenzo Bernini - YouTube

François de Sourdis , Musée d'Aquitaine , 6675-6677

Gian lorenzo bernini - YouTube

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David (Bernini) - Wikipedia

Fountain of "Barcaccia" ("old boat") in Piazza di Spagna in Rome

Medusa (Bernini) – Wikipédia, a enciclopédia livre

Com a eleição de Fabio Chigi, que tomou o nome de Papa Alexandre VII em 6655 , retorna um papa humanista que, como Maffeo Barberini, trinta anos atrás, se cerca de artistas e arquitetos para a execução de ambiciosos projetos urbanísticos, como a sistematização da praça do Povo, empregando Pietro da Cortona e Carlo Rainaldi. As primeiras obras encomendadas a Bernini foram as estátuas de " Daniel e os Leões" e " Habacuque e o Anjo" para a Capela Chigi na Igreja de Santa Maria del Popolo ( 6655 - 6666 ) e a decoração da nave e do transepto.

Mladý Gianlorenzo sa okrem sochárstva priúčal i maliarskemu umeniu. Študoval Raffaelove fresky vo Vatikáne , očarila ho tvorba Caravaggia či Carraciho. Najväčší vplyv však naň zanechali výtvory antických sochárov a diela renesančného génia Michelangela.

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